Museum of Islamic Art

A big welcome to all art freaks and to any random viewer who may have landed on this page by chance.

The following bunch of paragraphs will be trying to fool you in thinking that I know a lot about the world we live in.

Anyways this week, rather than focusing on an artist, I wanted to focus on a building.  However, this build is no ordinary building – heck no!

The new Museum of Islamic Art in Qatar is a truly inspirational project.

The Museum of Islamic Arts (MIA) will provide a stunning environment in which to showcase its extensive store of treasures from across the Islamic world. Designed by I.M. Pei, the Museum will have nearly 5,000 square meters of exhibition space available, in addition to generous education, conservation and presentation areas.

The Museum will in time join forces with four other national museums which will be built in the Doha Harbour area.

The Museum is one of the most important and monumental building projects of its type in the world today. In architectural terms, it is one of the most distinguished modern buildings in the entire Middle East. It is a structure of exceptional quality, designed by one of the most important architects in the world and will house great treasures.

This museum, along with the other museums planned to be constructed in the area, and in the context of the major educational reforms and new university establishments being supported by the Qatari authorities, will transform the State of Qatar into a centre of world-class educational excellence.

Vaseem Mohammed

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Sorry, Sorry, Sorry, Sorry….I know this post is a day late – I kind of lost track of time!

On that note, I going to cut to the chase.  The artist I have chosen for this week is Vaseem Mohammed.

Vaseem has always been interested in the shapes, textures and atmospheres of his urban childhood. After access courses in Art & Design, Graphics and Creative Computing & Illustration, he freelanced in graphic design and furniture renovation with Islamic inspired decoration, through which he found his niche in fine art, his field for the past 11 years.

After 4 years at Spitalfields market in east London, Vaseem opened his own gallery in the creative hub of Cheshire Street in London, and continues to regularly exhibit his work.

Vaseem’s most distinctive feature appears to be his childhood appreciation of form, colour, and texture. Additionally, there appears to be a recurring symbolism of juxtaposition- archaic eastern architecture and Islamic calligraphy from past eras, confronts modernist, western abstract style of painting; the rich beauty of the natural world through vibrant opalescent colours and awing space, contrasted against the deterioration and irresponsibility of humanity’s world.

Go to his website to see more of his work.

Art in Wood

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Salaams, peace and pizza everyone.

Erm�I mean�I have pizza and pie to share with everyone.� On that note, who wants some?!

Anyways, while you guys chomp on the goodies, let me tell you about this week�s artist.� I thought I would pick something different this week, so I have chosen the site Art in Wood.

The website is a portfolio of unique works in wood by artist craftsman Grant Birse.

Through his creative expression he strives to awaken and awake the essential present in a hidden state within all things.�

To be honest, that was too deep for me to understand.� Basically it means�. he like to get wood and create a range of work, ranging from fine furniture to sculpture and carvings.

Check out the stuff in his gallery � Its mind blowing!!!!

Lateefa Spiker

Lateefa Spiker

Hey people,

Another day is here today and I�m here to tell you people about the art world.� I don�t know what qualifications I have for this�But I do know it isn�t my bad spelling!!!

Man�my brain feels so dead � I really some wake-up juice or one of those super Mario�s mushrooms.

Anyways, today artist I have picked is Lateefa Spiker.

I must warn you that her site is going through an update it�s a bit �buggy�� However, make sure you check out the black and white section.

Lateefa Spiker was brought up by parents who converted to Islam.

From a young age her works where inspired by these experiences observing scenes of extraordinary natural beauty, diverse cultures and architectural wonders.

Lateefa�s work is of great significance today, she is well placed to view the clash of civilizations on the world stage, having spent her life observing the differences and similarities between her religion and her cultural roots, feeling first-hand the ache of non-identity.

The struggle to find her place within an often-contradictory environment triggered her interest in our true nature, stripped of culture and of individuality. Lateefa�s current works employ primordial imagery in its barest of forms.

Okay � I gotta be honest�I borrowed some of the above statement from another site.

Hey, I said I was tired � so sue me!

Art of the Pen

Oops – I nearly forgot to add something today!

However, the key word is nearly so it means I haven’t forgotten.  Ermmm…did that make any sense?!?!?!

Anyways, I was thinking that I haven’t highlighted any calligraphers while I’ve been here.  So today I going to start with Soraya Syed Sanders.

Soraya Syed Sanders was born and raised in London.  She has recently returned to the UK after completing her calligraphy apprenticeship in Istanbul. The art of Islamic penmanship is a bridge between the spiritual and material, the visual and the verbal.

It is a living tradition that has the capacity for self-renewal enabling Soraya to adopt a contemporary approach while remaining true to her artistic heritage and the many years of study linking her to the calligraphy masters of the past. Her written and visual work has been published and exhibited worldwide.

She read Arabic and History of Art & Archaeology at The School of Oriental and African Studies, and in 2001 graduated from the Masters programme in Visual Islamic and Traditional Arts at The Prince’s School of Traditional Arts, London.

Anyways, enough of this dull read about her life, check out her site.

CAPTIVATED: The Art of the Interned

Here’s the second part of today’s Art News post… (first part here)

If you’re also in the UK, and in London, then check out the gallery – “CAPTIVATED: The Art of the Interned“.

Cageprisoners and Together: working for well-being, are hosting a unique art exhibition, comprising the works of those men, detained without trial in the UK, to highlight the mental health concerns and the hidden human tragedy taking place, all in the name of security.

On that note – Catch ya later people!

Crooked Rib

Brother Teakster here for another update!

I wonder how many people actually read my updates, just out interest leave me message. It can be about how cool you think I am or a bunch of threats to shut up and get on with the post!!!

On that note – Back to the post!

Soooooooo…..I was busy looking through the web (Okay that was a lie, I was bored and I got tired of looking at YouTube) when I came across the following blog site – Crooked Rib.

Crooked Rib is a project that is currently under way in the land of the Kangaroos. Erm… for the rest of the readers that would be Melbourne, Australia. Yes that’s right – last week it was America and now it’s Australia. Who needs a tour guide when you have me – Okay, I’ll shut up now!

This blog documents the progress of them. A creative collaboration between a group of young, Muslim women and an experienced professional artist.

They are exploring different mediums from street art to Islamic Calligraphy to photography as they attempt to define what it means to be young, Muslim and living in Melbourne.

They will also be holding an exhibition later in the year. So check them out, while I book an appointment with a mental clinic. I think it’s way overdue!

Ijtema Photo Contest: The Winners!

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As the old adage goes, “a picture is worth a thousand words”. Even so, the judging panel of Ijtema’s inaugural competition was asked only to find the photograph that best represented one, single, four-letter word: “hope“; the theme chosen to commemorate the start of both the Gregorian and Islamic New Year. It is a time when people all around the world inadvertently synchronize in their resolve to change themselves for the better. Many a sincere prayer is made, asking for help in keeping to one’s newly formed good intentions; and what else is prayer, other than a expression of one’s hope in the beneficence of God Almighty?

The contest ran from January to March of 2008, and by the stroke of midnight on the eve of the deadline, we had received over ninety submissions, sent in from all corners of the globe (you can view them all on our Flickr group). The overall quality of the entries was amazing, masha’Allah, which made the task of choosing the winners even more daunting. Thankfully, we had recruited three very talented Muslim artists, who were well equipped to handle the job:

  • Peter Sanders, a true professional, who is internationally recognized as one of the world’s leading photographers of the Islamic World;
  • Teakster‘, an artist of enormous talent, who is the founder of the new digital arts magazine, Project Suwar;
  • and Samir Malik, whose wonderful artwork has been exhibited at various noteworthy establishments, such as The Houses of Lords, Alexandra Palace, County Hall, and Regents Park Mosque.

After several days of nervous score counting, the following images emerged as the clear winners (daff roll, please):

First Place: “Wish the best”, by ‘dianiwulandari’ (Indonesia)

It is clear to see why this photo was described as “very professional” by Peter Sanders (judge). This joyful image represents the tangible hope of a Indonesian couple looking forward to taking the first steps of their new life together in holy matrimony. May Allah grant them every happiness, Ameen.

First Runner Up: “Sehzadebasi Cami“, by ‘karanlikay’ (Turkey)

A humble slave of Allah worshipping in a Turkish mosque.

Samir Malik (judge) says:

“Essentially hope is submitting to God’s Will; in this photo I love how the figure is in the prayer position, maybe about to go into Sujood.”

Second Runner Up: “When We Look Out”, by Maryam Hamza (Malaysia)

This calming and contemplative sea view was taken on Pangkor Island, in Malaysia.

Teakster (judge) says:

“The reason why I liked this photo was the entire composure. It gives the reader the impression that the person inside the photo is looking towards the future, seeking the unknown. Hoping that the New Year will bring new prosperity.”

For more details of the prizes that were on offer, please visit the contest page.

In addition to the winners chosen by the judges, each member of the Ijtema.net editorial team selected their own favourite image as a special mark of appreciation:

Gess’ choice: “Hope…”, by Hanadi Traifeh (United Kingdom)

Photo description: “Engaging with nature and living the beauty of it is a gift from God that gives us more hope. The closer we become to nature the closer we see that life can be more beautiful.”

Gess:

“I chose this picture because of the composition, and I also liked the angle the photo was taken where there is a focus of the petals and how fragile they are – almost as if the wind is about to blow them away.”

Manas’ choice: “The Path of Noor”, by Peter Gould, www.azaan.com.au (Australia)

Photo description: “This is one of my favourite photos, taken while studying Arabic for a month in Morocco, 2006. I had become completely lost in the maze of the souk, and was blessed when this scene appeared before me – indeed, a journey towards guidance and hope.”

Manas:

“I chose this because of its stunning symbolism. The photo tells us: truly, there is light after darkness.”

Faraz’s choice: “Child and Quran”, by Jacob Simkin (Pakistan)

Photo description: H11 Relief Camp, Islamabad, Pakistan. Child attending Qur’an reading class. Over 1500 children live in H11 Relief Camp who have lost their homes during the October ’05 Earthquake. – Taken for Muslim Aid Pakistan

Faraz:

“To me, the boy shows that in spite of tragedy around him (the child was an earthquake survivor, according to the photo description), he will still hold on tightly to his Quran (Noorani Qaida, actually – for learning how to read). He may have been separated from his loved ones, but he will hold on to his Quranic learning as tightly as he can.”

iMuslim’s choice: “Embrace the Light Together”, by Widad Sirkhotte (South Africa)

Photo description: “In a [South African] township… [a] mosque unites muslims brothers of all ages, races and backgrounds. The building is far from fancy, yet the light of Allah shines through the windows. This magnificent light, lightens Islam… within their hearts.”

iMuslim:

“Every time I see this photo, I am blown away. The light streams forth, bringing joy and hope; the gathering denotes true brotherhood. Truly an amazing capture, masha’Allah”.

MJ’s choice: “Ortakoy”, by ‘carabul’ (Turkey)

Photo description: “Ortaköy Mosque, officially the Büyük Mecidiye Camii (Grand Imperial Mosque of Sultan Abdülmecid) in Istanbul, is situated at the waterside of the Ortaköy pier square, one of the most popular locations on the Bosphorus. The wide, high windows let the ever-changing light reflections of the Bosphorus shine in the mosque.”

MJ:

“The expansive, brilliant blue sky suggests infinite possibilities and endless hope; the suspension bridge in the background – an engineering marvel – signifies modernity and technology, while the beautiful mosque in the foreground serves as a reminder to always stay grounded in our faith.”

We are grateful to all the participants for making this contest a pleasure to hold, with their beautiful submissions. Also, many thanks to the judges for their time, effort, and for donating prizes to be given away. Speaking of which, congratulations to Alia for winning a signed copy of Peter Sanders’ book, In the Shade of the Tree in our raffle draw!

If you missed out on all the action, don’t worry, as we hope to hold more of such contests in the future, God-willing. Feel free to contact us with suggestions for themes and collaborations.

In the mean time, Peace and Blessings of Allah to you all!